Alva Noto Ryuichi Sakamoto Rarity

Contents • • • • • • Overview [ ] A minimalist album, it is characterized by an unusual experimental sound driven by piano and distorted, clipped samples (a sound which Sakamoto and Noto would also experiment with in in 2005). The album was elected among the first 50 albums of 2003 by magazine. It was also named album of the year in 2004 by The Wire magazine. Reception [ ] Vrioon places the same sort of minimalism in a very different context. You almost had to tune out Transform to enjoy it, it so filled with absence, but with Sakamoto's piano underlying the circuitry, Vrioon could conceivably be said to have a presence. The romantic Sakamoto dwells heavily on his feelings, soaking the music in melodrama wherever possible, and rarely alters the predominant tone of mumpish solemnity.

Thus noto's electronics take on a new purpose, adding enterprise to otherwise inward-looking compositions. Definitive Technology Powerfield Subwoofer 700 Watts Manual Air. Symbiosis in action. —Ben Tausig, Dusted Magazine Track listing [ ] • 'Uoon I' 13:51 • 'Uoon II' 9:40 • 'Duoon' 5:46 • 'Noon' 10:13 • 'Trioon I' 5:09 • 'Trioon II' 9:57 Personnel [ ] • Ryuichi Sakamoto – piano • Alva Noto – electronics • Carsten Nicolai – Additional Sounds References [ ].

Following a string of stunning co-releases, legendary experimentalists are once again teaming up for a new collaborative album. Called Glass, the full-length is set to arrive on February 16 via. The duo recorded the album during a live improvisation at architect Philip Johnson's Glass House in Connecticut. The project stems from 87-year-old Japanese artist Yayoi Kusama, who provided an installation at the house to mark the 110th anniversary of Johnson's birth. Sakamoto and Alva Noto (a.k.a. Carsten Nicolai) then soundtracked Kusama's work, rehearsing only one day before the performance. 'When I was offered to perform at the Glass House, the first idea that came to my mind was to use the house itself as a musical instrument,' said Sakamoto in a statement.

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'It was completely musical and 100 percent improvised, as that's what we usually do. Looking at the beautiful landscape through the glass wall with Kusama's dots was something, and it affected me, affected us, I should say, a lot. It's a strange mixture of natural, nature, and artificial things, art.' Glass will mark the first collaborative effort from Sakamoto and Nicolai since they worked on their award-winning soundtrack to. It also comes in the wake of Sakamoto's stellar 2017 solo album, which made Exclaim!'

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